Sunday, 16 March 2025

Doctor Who and the Ideal Immigrant

Abstract

The remarkable themes of Doctor Who Special: Joy to the World, briefly unpacked.

Introduction

I have previously written about the problems and lurch to the political right of the reboot of BBC television drama Doctor Who. In the 2024-12-25 Special, Joy to the World (the dire plot of which has been adequately addressed in other places), these trends continued. So, onwards, with spoilers.

Painting of a green-skinned alien in a suit dying in bed.
Death of an alien

Some old favourites

The Doctor abuses women

Not for the first time, harsh negging used by the male protagonist for a female’s (Joy's) ’own good’. Also, wouldn’t it have been kinder not to screw up the hotel-worker woman Anita's life? Coercive control and all that.

Nature Traduced

Dinosaur (and Nature) reduced to a bitey oubliette cameo.

No threat to capitalism

Even Doctor’s sworn ‘enemy’ seems to thrive while he parties around.

The waiting game

Perhaps not so extreme as the writer’s previous obsession with waiting, Joy waits on return, Anita waits for Doctor to leave.

Don’t make me think

Feels. Is ‘some people are lonely at Christmas’ really the height of insight the show aims at? Why yet another ‘Blitz’ reference that ignores the vastly larger number of people the British have bombed? Or are helping bomb right now?

That old one-way door granting strange adults access into a vulnerable young person's bedroom

Seriously, if one of these writers is your landlord, get out now! Don't stay to grab your kettle, just bolt out the front door and never come back. This is not going to work out like Monsters Inc. Anyway, I've summarised previous red flags.

Various others

Once could also add 'Kissing-up to Christians', 'Badly Misjudged Joy' (it was going around), the problem with characters, the deadening Earth-and-Human-centricness of it all…

The 'Good' Immigrant

However, what really stood out for me was the depiction of the 'Silurian' hotel manager character, killed off third-way through. Here's some of the excruciating dialogue, as we are treated to unnecessary racism as the unnamed character dies.

17:03 Doctor: You’re a Silurian, the proudest race I know.

17:10 Dying ’Silurian’: I was lost. In the caves. There was a door. This place. They were so kind. It was so exciting.

From this depiction, we can see how the writers envisage the perfect immigrant:

  1. Dehumanised: this 'Silurian' doesn't even get a name (and 'Silurian' is a misnomer, not a great term then).
  2. Is singular (absolutely no hordes).
  3. Point of entry is singular and sealed… no more to follow.
  4. Doesn't reproduce.
  5. Works in the service industry.
  6. Works in public, brightly-lit spaces with comforting security (is quite unthreatening).
  7. Wears western-style clothing.
  8. Is polite and speaks perfect English.
  9. Is pathetically grateful.
  10. Enthusiastically boosts the wonderful nation of his saviours.
  11. Disses own (mere caves, etc)
  12. Dead.
  13. And dies in the most convenient, tidy and least consequential way imaginable, without imposing any obligations at all (nobody even needs to email their next of kin or whatever).
  14. Quickly forgotten.

Now, I don't have to explain why this panders towards far-right, xenophobic tendencies, but combined with the Doctor's emoting does suggest how foke Doctor Who is these days. Has Modern Who been captured by the far right, is this BBC-core or pragmatic pandering to retain its licence fee?

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